Автобиография для музея: дискурсивные практики тождественности и самости наивного автора

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Title Автобиография для музея: дискурсивные практики тождественности и самости наивного автора
Tytuł równoległy: Museum autobiography: discursive practices of the identity and self of the naive author
Autor: Енина, Лидия
URI: http://hdl.handle.net/11331/3069
https://doi.org/10.34739/clit.2020.14.14
Date: 2020
Źródło: Conversatoria Litteraria. R. 14 (2020), s. 161-169
Abstract: The article is devoted to the study of discursive identity based on autobiographical texts written by Uralmashzavod employees in the 1970s. In her methodology the author draws on Michael Foucault’s theory of discourse and Paul Ricoeur’s idea of the bilateral nature of narrative identity. In an autobiographical discourse, identity practices construct the normative subjective position of official Soviet discourse. The practices of the self are considered in the aspect of confession and frankness. It is concluded that the subjective position in the discourse is simultaneously supported by the practices of identity, and shaken by the practices of the self.

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Uznanie autorstwa-Bez utworów zależnych 3.0 Polska Except where otherwise noted, this item's license is described as Uznanie autorstwa-Bez utworów zależnych 3.0 Polska

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