Biurokracja i biurokraci w radzieckiej komedii filmowej

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Title Biurokracja i biurokraci w radzieckiej komedii filmowej
Tytuł równoległy: Bureaucracy and bureaucrats in Soviet comedy movies
Autor: Cybulski, Marcin
URI: http://hdl.handle.net/11331/2800
Date: 2019
Źródło: Conversatoria Litteraria. R. 13 (2019), s. 161-176
Abstract: The given article is devoted to the issue of bureaucratic distortions in film comedies, which were created in the Soviet Union during 1927-1988, and thus almost throughout the entire functioning of the historical empire. Starting from the silent movie Don Diego and Pelagia by Yakov Protazanov, through the early sound films of the Stalin era (Volga-Volga by Grigori Aleksandrov), followed by the cinematic works of Khrushchev Thaw (including Eldar Ryazanov’s The Carnival Night, A Groom from the other world by Leonid Gaidai) and comedies created in the 1960s and 1980s, the author tries to indicate the mechanisms of bureaucracy in the Soviet Union, its influence on the functioning of the state and its citizens, and also presents methods of stigmatizing bureaucratism used by Soviet filmmakers

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Uznanie autorstwa-Bez utworów zależnych 3.0 Polska Except where otherwise noted, this item's license is described as Uznanie autorstwa-Bez utworów zależnych 3.0 Polska

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