«Строфы» К. Пендерецкого в определении стилевых ориентиров творчества композитора

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dc.contributor.author Чайка, Елена Владиславовна
dc.date.accessioned 2018-11-05T09:55:35Z
dc.date.available 2018-11-05T09:55:35Z
dc.date.issued 2017
dc.identifier.citation Spotkania Humanistyczne : międzynarodowy interdyscyplinarny periodyk naukowy. - Nr 6 (2016), s. 131-141 pl
dc.identifier.issn 2081-3163
dc.identifier.uri http://hdl.handle.net/11331/2158
dc.description Numer wydany w 2017 r. pl
dc.description.abstract The article considered indicative style reference points of the Polish music of the vanguard period of the 1950-60th years with special emphasis of the contribution of the early composers - avantgardists and Iannis Xenakis in forming creative person of Krzysztof Penderecki. The author analyzed Penderecki’s Chamber cantata for soprano, narrator and 10 instruments " Strophen " in the context of the prevailing style signs with the special attention to the place and a role of the texts in this composition pl
dc.language.iso other pl
dc.subject Kompozytorzy polscy pl
dc.subject Muzyka polska pl
dc.subject Penderecki, Krzysztof (1933- ) pl
dc.subject Polish composers pl
dc.subject Polish music pl
dc.title «Строфы» К. Пендерецкого в определении стилевых ориентиров творчества композитора pl
dc.title.alternative K. Penderecki’s “Strophen” in the determination of the style reference points of the creative work of the composer pl
dc.type Article pl

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