Tadeusz Miciński - krytyk sztuki. Przypadek Anny Zawadzkiej

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Title Tadeusz Miciński - krytyk sztuki. Przypadek Anny Zawadzkiej
Tytuł równoległy: Tadeusz Miciński - the art critic. The case of Anna Zawadzka
Autor: Ławski, Jarosław
URI: http://hdl.handle.net/11331/1315
Date: 2016
Źródło: Czytać Tadeusza Micińskiego : studia / red. nauk. Antoni Czyż, Marcin Pliszka, Sławomir Sobieraj ; Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach. Wydział Humanistyczny. - Siedlce : Pracownia Wydawnicza Wydziału Humanistycznego Uniwersytetu Przyrodniczo-Humanistycznego w Siedlcach, 2016, s. 139-162
The author of the article analyses a little-known aspect of the Tadeusz Miciński’s work – it is his activity as the art critic. Miciński rather rarely reached for a pen in order to express his opinion on the specific phenomena, exhibitions, authors. Usually, he express very fundamental judgements about the role of art, but mainly about its aims. However, the exception that he made is an article dedicated to Anna Zawadzka (1888-1983) entitled Malarstwo wizyjne. The young painter, who will later be the helpmate of the writer Stefan Żeromski, is for Miciński the representative of art who symbolically reveals the secrets of the soul, self. Simultaneously, Miciński accurately predicted that the type of the graphics of painting that Zawadzka practiced, could lead her to a creative crisis, since that art was focused on the inner life, oneiric, visional. Miciński criticised her for the lack of any grand, over-individual idea. His diagnosis turned out to be accurate. After World War I, Zawadzka gave up practicing the art. An article by Tadeusz Miciński Malarstwo wizyjne is attached to the text.
Zawiera Aneks: Tadeusz Miciński : Malarstwo wizyjne

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